The text to this work is taken from many original sources: two histories of Birmingham;
19th century novelists and poets either from Birmingham, or who lived here; 18th century
documents relating to the building of the cut; a book about the city’s trams; interviews
and posts on web forums; and from notices, posters, and other text found on walls around
All sounds are from recordings made in Birmingham, including those heavily processed.
The music is based entirely on one of the favourite hymns of prominent local novelist
and essayist J. H. Shorthouse - And Now, O Father, Mindful of the Love; and the folksong -
Dabbling In The Dew - from a collection of songs from the Black Country and Birmingham.